AVI BINUR: MERCY GATE בָּרוּךְ הַשֵׁם
Memaparkan catatan dengan label MEDUZOT. Papar semua catatan
Memaparkan catatan dengan label MEDUZOT. Papar semua catatan

||PARTY AT MIRIAM’S/DJUDIA’S/SEFARDITA’S HOUSE|| ~ a-sefardita



Cute ending {the fans behind their backs are an interesting innovation that I’ve never seen before from a troupe}

||Everyone is invited to visit me once I: 1) have a place for sure; 2) convince Anton to affix my mezuzah (I’m afraid of messing it up and who else is nice enough to help me).||

Meduzot (the Hebrew word for Jellyfish) tells the story of three very different Israeli women living in Tel Aviv whose intersecting stories weave an unlikely portrait of modern Israeli life. Batya, a catering waitress, takes in a young child apparently abandoned at a local beach. Batya is one of the servers at the wedding reception of Keren, a young bride who breaks her leg in trying to escape from a locked toilet stall, which ruins her chance at a romantic honeymoon in the Caribbean. One of the guests is Joy, a Philippine chore woman attending the event with her employer, and who doesn't speak any Hebrew (she communicates mainly in English), and who is guilt-ridden after having left her young son behind in the Philippines.

Walang ligaya sa lupa na hindi dinilig ng luha.

Filipino Proverb: There is no earthly bliss not watered by tears.

Bnei Lot are of an ancient origin. In the migratory tradition of Ruth begun more than two millennia ago, a remnant of David and Solomon migrated into Maritime Southeast Asia which comprises what is now Brunei, East Timor, Indonesia, Malaysia, New Zealand, Papua New Guinea, The Philippines, and Singapore, as well as Melanesia, Micronesia, and Polynesia, with a sizeable minority of Malays migrating back to their tribal allotments in Sephardic Judah, besides Terrestrial and Figurative Jordan.