AVI BINUR: MERCY GATE בָּרוּךְ הַשֵׁם

RT @MattyLibatique Pre lighting on the holiest day of the year

Those in the Generation of Mashiah have the same souls as those in the Generation of the Flood. ~ Rav Tzadok Hakohen of Lublin

“On Noah he just had incredible technical abilities and the type of things we pulled off, I think there’s very few people on the planet that could have done what he can do. There were nights when we had six huge cranes — the type you build skyrises with — holding up giant rigs of lights and rain rigs and the complication and sophistication of the equipment is just so technically difficult that very few people could have done that. So there are those skills, but he also has the tenderness and sensitivity to look at a performance and see how he can help it.” ~ Darren Aronofsky offers just a few details on his latest collaboration with cinematographer Matthew Libatique (who he previously worked with on Pi, Requiem For A Dream, The Fountain, The Wrestler and Black Swan), praising his work on Noah.

Walang ligaya sa lupa na hindi dinilig ng luha.

Filipino Proverb: There is no earthly bliss not watered by tears.

Bnei Lot are of an ancient origin. In the migratory tradition of Ruth begun more than two millennia ago, a remnant of David and Solomon migrated into Maritime Southeast Asia which comprises what is now Brunei, East Timor, Indonesia, Malaysia, New Zealand, Papua New Guinea, The Philippines, and Singapore, as well as Melanesia, Micronesia, and Polynesia, with a sizeable minority of Malays migrating back to their tribal allotments in Sephardic Judah, besides Terrestrial and Figurative Jordan.